Order shots so the cuts read as one place

Order these shots so the sequence reads as one continuous place.

Produce:
1. **Shot order**, with the reason each sits where it does. Generally establish the space before going close — a viewer who does not know where they are cannot follow what happens there.
2. Shot size for each: wide, medium, close. *Avoid cutting between two shots of nearly the same size on the same subject;* it reads as a mistake rather than a cut.
3. **Screen direction** — which way the subject faces or moves in each shot. Keep it consistent across cuts. Reversing it makes two shots of the same person look like two people.
4. Eyeline: where the subject looks, and whether it matches what the next shot shows.
5. Where a cutaway would cover a continuity problem cheaply.
6. What the viewer knows after each shot, so nothing lands before it is understandable.

Then:
- Missing shots the sequence needs, and what each must contain.
- Cuts that will feel abrupt, and whether the fix is reordering or an additional shot.
- Which shot to generate first, since the rest must match it.

Rules:
- Work only from the shots I listed; say clearly when a needed shot does not exist yet.
- Do not add a shot just for coverage. Every shot answers something.